Visions and suggestions of the shores of Lake Garda.

Francesco Salmarani, a well-known doctor from Treviso, suddenly finds himself with an overdraft bank account as his wife's father has come from America demanding the purchase of a large Palladian villa. Tired of his wife, Francesco consoles himself with Paola and then lets himself be ensnared by the very young and beautiful Mary, who has come as housekeeper and father-in-law's lover. The need to fill the administrative gaps and the dream of running away with Mary lead the doctor to organize a coup against his father-in-law who, linked to the mafia, managed to transfer a large dollar patrimony, stolen from the gang, to the villa. The presence of the boy allows the commissioner to exonerate his son-in-law, Mary and Felegatti, of the death of the old mafioso. However, everyone will be left without the dreamed treasure which will fall to Mary and the son of the Salmarani who flee together.

Four episodes. A pilot is ready to change sex, but the doctor made an error. A woman is searching a partner for a dance contest. A worker seduce his boss wife. A guard is too much proactive and this will cause many troubles.

In 1956, Roberto Rossellini was in the throes of a personal and artistic crisis. His recent films with Ingrid Bergman had flopped, their marriage was falling apart, and the press was relentless. When Bergman returned to Hollywood, Rossellini accepted an invitation from Indian Prime Minister Nehru to document India's progress. With doubts and a suitcase full of spaghetti, he set out to find a creative and emotional rebirth in India, inspired by a culture that balanced tradition and modernity.

In Rome a man needing money become a transvestite prostitute.

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Inspired by the last essay Charles Darwin wrote on the action of worms, Anna Marziano crafted a film where the cultural and political action is placed in continuity with the work of earthworms, digesting and feeding the soil microscopically day after day. The film intertwines direct observation, video projections and the decay of some film negatives buried in the ground in the attempt to keep visual traces of the life of micro-organisms.

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Inspired by the last essay Charles Darwin wrote on the action of worms, Anna Marziano crafted a film where the cultural and political action is placed in continuity with the work of earthworms, digesting and feeding the soil microscopically day after day. The film intertwines direct observation, video projections and the decay of some film negatives buried in the ground in the attempt to keep visual traces of the life of micro-organisms.